Rudolph, the Red-Nosed Reindeer

Director
Larry Roemer
Runtime
0 h 52 min
Release Date
6 December 1964
Genres
Animation, Family, TV Movie
Overview
Sam the snowman tells us the story of a young red-nosed reindeer who, after being ousted from the reindeer games because of his glowing nose, teams up with Hermey, an elf who wants to be a dentist, and Yukon Cornelius, the prospector. They run into the Abominable Snowman and find a whole island of misfit toys. Rudoph vows to see if he can get Santa to help the toys, and he goes back to the North Pole on Christmas Eve. But Santa's sleigh is fogged in. But when Santa looks over Rudolph, he gets a very bright idea...
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  • “Rudolph the Red-Nosed Reindeer”

    I was watching the film over the Christmas holidays, and now that I’m woke to the JQ I immediately had a hunch that the film was written by a Jew about his insecurities. The reason is because most Hollywood films champion the immigrant or outsider. I discovered this from a documentary / book called “An Empire of Their Own.” I highly recommend it. Here are relevant clips to help you understand how this relates to Rudolph and how I instantly knew Jews were behind the victimhood story:

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Plugged In1
Focus on the Family



(Reviewers' Site/Bio)

  • What’s New and Streaming for Families This December

    It’s beginning to look a lot like … December. And when you’re not out shoveling the drive or trying to coax the dog to get his business done so you can cut short your wind-whipped walk, you might just be wondering what family-friendly movies are streaming this month. So slip on your snowflake jammies and […]

    The post What’s New and Streaming for Families This December appeared first on Plugged In Blog.

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    (Review Source)

The Federalist Staff2
The Federalist



(Reviewers' Site/Bio)

  • 10 Beloved Christmas Movie Characters Who Are Actually Terrible People
    'Frosty the Snowman' is the story of a self-absorbed nitwit who kidnaps an impressionable young girl and brings her to the deadliest terrain on earth.
    ...
    (Review Source)
  • Seven Reasons Elf Is The Perfect Christmas Movie
    (”Rudolph, the Red-Nosed Reindeer” is briefly mentioned in this.)
    Seven Reasons Elf Is The Perfect Christmas Movie December 22, 2014 By Christian Toto Every year families gather to re-watch Christmas favorites as old as Betty Grable pinups. We know every line from “Rudolph, the Red-Nosed Reindeer” (1964), “Miracle on 34th Street” (1947) “It’s a Wonderful Life (1946) and “A Charlie Brown Christmas” (1965). “A Christmas Story” is the new kid on the block, a relative pup at 31 years of age. Then along came “Elf.” The 2003 comedy starring Will Ferrell as Buddy, Santa’s overgrown helper nestled itself next to those Christmas classics. It’s what Hollywood has been trying to do for some time with little success. Consider the flop-sweat stories that once auditioned for the gig: “Christmas with the Kranks.” “Deck the Halls.” “Surviving Christmas.” “Jingle All the Way.” Just try sitting through any of them once, let alone once a year. Tinsel Town loves film franchises, but scoring a new holiday classic is pop culture’s Holy Grail. Comic actor Artie Lange once boasted on “The Howard Stern Show” he gets residual checks for his tiny role in “Elf” given how often it plays each season. Lange’s good fortune is ours, too. “Elf” is a yuletide delight, a near-perfect combination of modern sensibilities and old-fashioned sentiment. Here are seven reasons why “Elf” became a modern Christmas mainstay. A Man-Child Is Born: Will Ferrell’s film resume teems with arrested development types, from “Step Brothers” to “Talladega Nights: The Ballad of Ricky Bobby.” There’s even something child-like about Ron Burgundy, our favorite “Anchorman.” “Elf” marked the first time he trotted out that man-child shtick on the big screen, and he nailed it right out of the gate. Santa-Worthy Slapstick: Christmas classics age better than most movies. Slapstick is equally resistant to Father Time – consider the comic legacies of Charlie Chaplin and Buster Keaton. “Elf” combines those two elements with sparkling results. Ferrell gobbles cotton balls, wrestles a fake St. Nick, does a split on an escalator and gets pummeled by an “angry elf” (Peter Dinklage). And, best of all, never has a comedian’s height been put to such grand purpose than Ferrell’s lanky frame clad in yellow tights. Shower Time with Buddy: Ferrell’s accidental bathroom duet with co-star Zooey Deschanel isn’t naughty but oh, so nice. The pair sing the courtship classic “Baby, It’s Cold Outside,” the first chapter in the couple’s unlikely romance. Deschanel, a recording artist away from the big screen, serves up a delicate take on the song. Ferrell’s tentative verses reveal Buddy’s lovable naivety. An Elf Out of Water: Some comic staples never grow old. Consider the “fish out of water” template, used so brilliantly in “Crocodile Dundee.” In “Elf,” we watch Buddy giggling his way through a shoe shine, chewing gum left behind on a subway fence, spinning a revolving door like a top and otherwise behaving like he’s never stepped foot in a city like New York. He hasn’t, and his sense of discovery is magical. James Caan Channels Charles Dickens: Veteran actor James Caan plays Buddy’ father, a publishing executive with little patience for holiday mischief. He’s Ebenezer Scrooge and Bob Cratchit rolled into one, with a pinch of the Grinch for good measure. When Buddy finally captures daddy’s heart it links back to Dickens’ yuletide awakening. No Sequel, No Problem: “Elf” is 11 years old, and there’s not so much as a rumor about a sequel, reboot or re-imagining despite the film’s cult status. Ferrell has gone on record saying a sequel doesn’t interest him, a rare sign of artistic restraint in an industry starved for hits. No matter how good it might be to see Buddy and friends again, any new “Elf” project would diminish the original. Tip of the Elf Hat to the Classics: Few knew back in 2003 “Elf” would one day join the likes of “A Christmas Story” and other yuletide staples. The movie wisely acknowledged the tall task before it all the same. Consider the animated sequences honoring “Rudolph,” with a stop-motion snowman standing in for Burl Ives. It’s one of several sly odes to previous Christmas fare. Someday, we may see a future holiday film name-check Buddy and friends. Christian Toto is an award-winning journalist, film critic and fatherhood blogger. You can find more here. Photo Elf A Charlie Brown Christmas Anchorman Artie Lange Betty Grable Buster Keaton Charlie Chaplin Editors Picks Peter Dinklage Rudolph Will Ferrell Zooey Deschanel Copyright © 2017 The Federalist, a wholly independent division of FDRLST Media, All Rights Reserved. googletag.cmd.push(function() { googletag.display('div-gpt-ad-1463670073398-2'); }); window._taboola = window._taboola || []; _taboola.push({mode:'thumbs-2r', container:'taboola-below-main-column-mix', placement:'below-main-column', target_type:'mix'}); window._taboola = window._taboola || []; _taboola.push({flush:true}); 0 Comments /* * * CONFIGURATION VARIABLES: EDIT BEFORE PASTING INTO YOUR WEBPAGE * * */ var disqus_shortname = 'thefederalist23'; // required: replace example with your forum shortname /* * * DON'T EDIT BELOW THIS LINE * * */ (function() { var dsq = document.createElement('script'); dsq.type = 'text/javascript'; dsq.async = true; dsq.src = '//' + disqus_shortname + '.disqus.com/embed.js'; (document.getElementsByTagName('head')[0] || document.getElementsByTagName('body')[0]).appendChild(dsq); })(); Please enable JavaScript to view the comments powered by Disqus. comments powered by Disqus ]]>
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Death Metal Underground Staff1
Death Metal Underground



(Reviewers' Site/Bio)

⚠️ EDGY 🔥 CONTENT 🔥 WARNING 🔥 (NSFW?) ⚠️

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  • /smr/ Sadistic Metal Reviews: Massacre of Death Metal’s Mainstream
    (”Rudolph, the Red-Nosed Reindeer” is briefly mentioned in this.)

    Yesterday, we gave you the 10 most popular death metal bands of all time.  Now one by one they will face public execution as we absolutely massacre their most recent release.  No mercy will be shown- orders are to kill everything that moves.

    Did you fucking soy metal nu males really think they would get off easy?  This is Death Metal Underground- the most savage music site on the internet!  Death to soy metal, death to sellouts, burn and die all falses!  Mayhem- war- sadism- brutalization!  No death metal band should have 1 million Facebook likes!  No death metal band should be on Facebook at all!  Pussies!  Behead the corpses, throw them into the streets- the Templar way!

    The Black Dahlia Murder: Nightbringers (2017)

    Having released the same album 4 times in a row, The Black Dahlia Murder needed to come up with something to satisfy their soul-raping Metal Blade Records contract.  Dry on ideas and inspiration, the band decided to play the music from Castlevania 2: Simon’s Quest at fast tempos and have Trevor do the same vocals he’s been doing for 15 years over and over again only with country western lyrics about being him the widowmaker.  I appreciate gun violence lyrics that are highly underused in death metal, Trevor mah dude, but this Castlevania-core waste is empty without tranny-slaying masculine aesthetics.  Remember that Simon Belmont was commissioned to hunt sodomites by the pope, you fucking asshole!  Unfortunately, charting on the top 10 biggest death metal bands list was not enough record sales to keep the band from relying on their girlfriends to pay their rent for them!  T-dawg even once famously went on Facebook to whine about how if the million people that clicked “like” on their page had spent a single dollar on their music that they wouldn’t have to be delegated to living in cramped apartments and fucking fat girls!

    And to Titus “No Comments” Polio- you son of a bitch!  What the fuck was that BDM transvestite fan-fiction you had up here last year?  Were you trying to make DMU Gay-Metal-Underground?  Fuck that!  Here’s the long awaiting ending to that sodomite degeneracy: Brett time-warps out of the van through a wormhole, recons your entire reign as editor, and then I sodomize your ass with a crucifix you fucking faggot!  Death to false editors!

    In Flames – Battles (2016)

    Holy shit!  In Flames, what the fuck are you doing?  Not only does this album claim the gayest album title in metal history- it also has the gayest artwork!  What the fuck is this Rainbow Roll sushi screamo shit?  Why are you still crying- Orgy is playing dubstep now, why are you still trying to do their vocals and shit?  What the fuck are you saying “we’re in this world of make believe” dude, this Alice-in-Wonderland shit couldn’t even score you #8 on the most popular bands that played death metal list! Who the fuck are these people anyway- none of you were in the fucking band throughout the first, fuck, like 3 albums or some shit?  Still playing nu metal, still doing emo choruses, still humiliating the Swedish Death Metal Scene.  Still incorporating industrial, still using feminine vocals.  Dude, I can’t wait for the “Asian” migrants to kick your severed heads down the streets of Sweden lick a fucking football in the name of Mohammed, you beta fucks!

    UnderOath – Erase Me (2018)

    Okay, I’m a fucking dick for persecuting my fellow Christians, but you know what?  In 2006 the guitarist of this band fucked my buddy Steve-O’s girl while they were dating!  Fuck that shit!  I think she was underage and shit to, now she’s out hoein it up in Boca Raton now with all those rich fucks and weird ass Florida guidos and UnderOath is here playing this goofy Thursday clone screamo.  Also, Underoath’s drummer is too pussy to call his music Christian even though it is.  Man up, you fucking beta-male!  Get your ass into a real church, none of that Joyce Mayer shit, get on some hard fundementalism like a real man. 1st Timothy chapter 2 says women should be silent and submissive and obedient, so man the fuck up and force those women into submission instead of singing like them, you half assed stupid bastards!  And stop stealing Jonathan Davis vocal melodies- it’s fucking embarrassing!

    Behemoth – The Satanist (2014)

    Leukemia boy is back!  And more broken than ever!  Yes, this fucking waste of shit pretty boy Nergel wasn’t man enough to hold down a real woman in Doda and witnessed her fuck some roid-head body builder instead.  If Nergal was a better musician this wouldn’t have happened, but apparently he was too busy putting on clown makeup to learn some real guitar technique.  Remove the vocals and drums, and most of the riffs on The Satanist sound exactly like the first Static X album.  Other times, he rips off Erik Rutan’s flavor of the week shitshow Hate Eternal even though nobody remembers that band anymore.  Unfortunately, the Polish government has again failed to execute Nergal for his crimes of blasphemy and degeneracy, but hopefully the nation will close their boarders and become a true theocratic monarchy.  When this day comes, Nergal should hopefully be burned at the stake AFTER his pants are pulled down so the world could see why he couldn’t satisfy a women.  And it we’ll all know it wasn’t the fucking leukemia!

    Opeth – Sorceress (2016)

    A FUCKING PEACOCK!  That’s the cover and the music- full of pretty colors, flamboyant elegance, and increasingly rare species (prog metal losers).  When all is said and done Opeth will not remembered fondly by the metal world, with a legacy of producing the most obnoxious fans in metal history.  This is just gay prog rock, no metal, some chugs and distortion here and there, but this is overall just bad 70’s revival.  Opeth, there’ s a reason this shit died in the 70’s: IT SUCKED!  Mikael, you’re a pussy, and thanks to you many men will die fat and useless without every having experienced a woman’s warmth.  Queer prog rock for queer people, The Sorceress is secretly an Incubus.  Fail!

    Arch Enemy – Will to Power (2017)

    Get back in the kitchen!

    Cannibal Corpse – Red Before Black (2017)

    What the fuck, when did Cannibal Corpse become Cryptopsy?  This is a total ripoff of Blasphemy Made Flesh and Lord Worm’s shitty grandpa-death-metal vocals.  There is no point to this album existing other than Cannibal Corpse being pinned down to a life destroying Metal Blade Records contract.   The solos sound like Kerry King’s wammy bar seizures from Slayer’s nu metal phase.  Riffs and songs are indistinguishable- there’s a bunch of palm muting and a goofy uptempo drumbeat.  This music syncs up perfectly with the scene in the Rudolph the Red Nosed Reindeer movie where the elves are singing about the island of the misfit toys.  WHAT DO YOU MEAN HERBIE DOESN’T LIKE TO MAKE TOYS?  Think about it bro, that shit was the reason we have SJW Mortal-Kombat looking chicks that go to Cannibal Corpse shows.  Woah.

    Cradle of Filth – Cryptoriana – The Seductiveness of Decay (2017)

    Midlife crisis circus freak Dani Filth made a good move booting his waste of life guitarist Paul Allender after decades of medocrity and shit album after shit album in favor of a bunch of young gear-head music geek musicians.  But sadly, some good guitar playing is lost on terrible music with no soul or originality.  The musicians are trying to rip off 90’s symphonic metal but are hindered by the worst vocalist in British metal history, obnoxious chick vocals, and homsexual aesthetics.  OK, I take back what I said about the guitars- I heard most of these riffs in albums from My Dying Bride and Paradise lost.  The musicians are actually stealing riffs and melodies from other COF albums- what a bunch of dorks!  What the fuck Cradle, is goth so dead now that you can’t even find an attractive keyboardist anymore?  If you’re a fat loser that watches Queen of the Damned with tears streaming down your face knowing that Vampire raves will never happen again then this is the soundtrack of your life.  For actual metalheads, get the fuck away from this shit!

    Sepultura – Machine Messiah (2017)

    Well, it’s not as gay as Roots.  But Sepultura have still pissed away their future with their new singer Derrick Green, destroying the Brazilian identity that had one of the world’s largest nations rallyed behind them.  Okay, so he’s been in the band for 20 years- BUT HE’LL ALWAYS BE THE “NEW” SEPULTURA SINGER, BECAUSE BRAZIL WILL NEVER ACCEPT HIM.  This is some weird, avent-garde art rock, not metal, not good.  Just some weird blues singing over some random, meaningless guitar waffling.  Fuck, at least the drums used to be good but now that Igor’s out we only have the bassist from Morbid Visions and a bunch of Ed Hardy/Tapout guidos.  Fortunately Jair Bolsanado will soon be president of Brazil, will bring the dictatorship back, will deport or behead Derrick Green, and hopefully will force a reunion with the Cavelaras or at least execute all of the current Sepultura members so we don’t have to see these sellout scumbags hogging up the bills of U.S. tours.

    Suicide Silence – You Can’t Stop Me (2017)

    When singer Mitch Lurker died in a horrific motorcycle accident the surviving members of Suicide Silence have declared revenge on the world that has claimed the life of their former leader.  This vengeance has been exercised by attempting to revive Nu Metal, the one sub genre of music universally denied by metalheads of all creeds and color and recognized by all as a mistake.  While nu metal influences have since been kept mostly within the confines of war metal bands on Nuclear War Now! records, Suicide Silence creates a full blown Fred Durst experience on You Can’t Stop Me complete with lyrics penned by likely high school dropouts.  Even the white trash, face-tatted fans of Suicide Silence have rejected this trash heap of shit and degeneracy as being beneath them- sad!  The incorporation of Z-grade death metal riffs that would have been rejected even by Mortician or Swansong era Carcass fit right in with the drop-A groovecore jams longing for an era when mountains of cocaine were awarded to rape victims to pose as metal singers and record duos with failed rappers.

    Concluding Thesis

    If you want to sell a shitload of metal records, be a faggot and change your style to faggot music after at least one album.  If you want to be death metal, don’t be a faggot.  You won’t have a million Facebook fans, and that’s a fucking good thing!

    PS:  Nobody on this list owns a big house

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Soiled Sinema1
Soiled Reviews



(Reviewers' Site/Bio)

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  • A Journey Into Bliss
    (”Rudolph, the Red-Nosed Reindeer” is briefly mentioned in this.)
      After being introduced to the films of Wenzel Storch by Nekromantik producer Manfred Jelinski, I immediately hunted down the three featu...
    ...
    (Review Source)

PJ Media Staff1
PJ Media



(Reviewers' Site/Bio)

  • A Whimsical Fantastic Mr. Fox
    (”Rudolph, the Red-Nosed Reindeer” is briefly mentioned in this.)
    PJ Media In a way, all of Wes Anderson’s films have been kids’ films. His charming efforts (Bottle Rocket, Rushmore, The Royal Tenenbaums) and his more recent, more irritating entries (The Life Aquatic with Steve Zissou, The Darjeeling Limited) all consider less than fully grown-up sons frustrated by their fathers’ distance or absence. Fantastic Mr. Fox offers more of the same, and yet this time Anderson’s visual gifts, his dry wit, and, most of all, his skewed whimsy work perfectly.Tenenbaums felt new and retro at the same time, and so does Mr. Fox, with its gloriously low-tech stop-motion animation in which lovingly detailed puppets are posed one frame at a time and then photographed. The process may be painstaking to assemble, but the result looks cheerfully carefree. The movie, based on a story by Roald Dahl (Charlie and the Chocolate Factory), is a throwback to Rudolph the Red-Nosed Reindeer and the other stop-motion animation kiddie specials from the 1960s and 1970s that Anderson’s generation grew up with.The title character, nicely voiced by George Clooney, is a born schemer and inveterate chicken thief who, at the outset, is so eager to demonstrate to Mrs. F (the equally fine Meryl Streep) that he understands exactly how the fox trap he is outsmarting works that he gets both of them stuck. Caged, Mr. Fox vows to give up his poultry-purloining ways and get a new line of work (though an equally disreputable one -- journalism) so that the two of them can raise their son (Jason Schwartzman) in a nice tree together.The awkward son, Ash, who fancies himself a superhero but lacks his father’s physical grace, feels neglected by his dad, especially when his cousin Kristofferson (Eric Anderson, the director’s brother) comes to stay with the family and immediately proves himself a swashbuckler cut from the same cloth as the old man. Meanwhile, much as he’d like to be a model father, Mr. Fox starts a secret campaign to resume his chicken thievery -- this time on an epic scale meant to humiliate the nefarious farmers Boggis, Bunce, and Bean. Mrs. Fox won’t be pleased if she finds out. Worse, Mr. Fox takes along Kristofferson for the caper instead of his own boy. class="pages"> https://pjmedia.com/blog/a-whimsical-fantastic-mr-fox/ previous Page 1 of 2 next   ]]>
    ...
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